FILM COMPOSER BLOG

short game onesheetThe Short Game tells the story about the best 7-year old golfers in the world competing in the world championship at Pinehurst Golf course in North Carolina. I composed additional music for The Short Game, which premiered at South by Southwest Film Festival and opened in theaters in 2013. Netflix acquired the film and made it their first Documentary Feature in 2014.

Instead of the orchestral styling of No Place on Earth, The Short Game’s score was based on indie pop. The standout racks are “I Don’t Break“, a pop song which plays at the climax of the tournament, and “This is Life“, a sweet, very long cue which closes the film.

You can watch The Short Game on Netflix and DVD.

Reviews were positive. Rotten Tomatoes rated it 83% fresh with 18 reviews. Here are a few:

Variety: Finding the most entertaining angle on one of the world’s dullest sports, The Short Game has built-in word-of-mouth that should help it break out of the docu sandtrap and roll down the fairway.

Washington Post: You don’t need to like golf to like — perhaps even to love — The Short Game.

New York Times: On a cuteness scale — where 10 is a fuzzy kitten yawning in a hammock — the chattily uninhibited 7- and 8-year-old golfers of The Short Game score high.

On the production side, director Josh Greenbaum talked about the logistics of shooting the Pinehurst golf tournament, which occupies a major portion of the film. 18 camera crews and a lot of difficult logistics, as covered by Filmmaker Magazine:

“For the most part, we’re shooting at the children’s level, not down at them,” says (director) Greenbaum. He didn’t want the angle of the camera to provide any editorial perspective by shooting down or up at them.”

Josh Greenbaum also talked about working with kids in an interview on Golf.com:

This is a 7-year-old driving the ball 185 yards or eagling from the sand. So we had to find ways to remind you that these are kids, so those few times that they did break down or throw their clubs or start crying on the course actually helped us do that. I told the cinematographer to get the caddy or the bag or a tree in the frame while they’re hitting the ball so that the audience realizes, “Oh my God! They’re so tiny!”

Here is a sampling of my music in the film:

And the trailer:

Posted 2 years ago by John Piscitello

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